scratch- Esra Roise

The Year of Fifi Lapin

There's a Fifi for every month of the year. Check them all out on her blog.

Visual: It's Kind of a Funny Story

An Entire Package.

I've already explained how much I loved this movie. It was an amazing, inspiring, story & the film was very captivating. One of my favorite parts of the movie was how they mixed media.. like 3-D drawing, motion picture, and amazing music!! Well recently the movie came out on DVD & iTunes, and I got a chance to do some research on who created the drawings featured in the movie, as well as the musical artist. If you haven't seen "It's Kind of a Funny Story" yet make sure you check it out. Enjoy.

Vocal.


White Hinterland - Icarus

The Middle East - Blood

Artist.


Brian Drucker

Kate Moss x Balmain

This video is so awesome. I love every part of it, the music, the fashion, the art.. all in one. What more do you need?

All About Boldini

Giovanni BOLDINI Portrait of a lady, Mrs Lionel Phillips

For two great posts about Giovanni Boldini

aka 'The King of Swish' according to Dash

check out her posts here and here on her French Sampler blog
I too have a Boldini post in mind, but no time to write it....

Around Town - Dave McCoy Photography at the Harris and Ruble Gallery

Last night I went to the opening night show of 'Wild Eyes in the Sierra Skies' featuring Dave McCoy's photography at the Harris & Ruble Gallery in Hollywood in collaboration with Posner Fine Art.

Dave McCoy, a founding developer of the Mammoth Mountain ski resort in the Sierra Nevada, has been taking photographs of the region since the 1930s.  Now in his 90s he is still taking pictures of the Mammoth area. 

This shot of the sunset was one of my favorites

...naturally, my photo of it would be completely askew

To see more photos there is his book Tracks of Passion ,a photo essay on the development of Mammoth Mountain, and the Dave McCoy website.

Personally, I like this iconic photo of the man himself shot by Warren Miller making skiing in a t-shirt representative of California skiing.

Things To Do In LA - Gérôme At The Getty

When the sun refuses to come out...which it has for weeks
The Gérôme exhibit at the Getty Museum
And why Gérôme?
Because he painted amazing Orientalist paintings

and portraits

and pure cheesecake

From the Getty website
Through most of the 20th century, however, Gérôme's critical reputation was tarnished by his alleged commercialism and his stubborn opposition to the triumphant avant-garde movements of Impressionism and Postimpressionism. The first comprehensive exhibition of his work in almost 40 years, this exhibition offers the opportunity to reconsider the variety and complexity of Gérôme's masterful oeuvre.

Around Town - Renoir versus American Stories at LACMA

Another week started with total craziness...goods going here and there and now the need to gear up for the Antique and Estate Jewelry Show in Las Vegas which is coming up in a couple of weeks.

At least I had the perfect Mother's Day: two art exhibits, an exquisite afternoon in the sun and an early dinner with the kids.

Happily, I made it to the last day of the Renoir in the 20th Century exhibit at LACMA.

With the entire 2nd floor of the Broad building filled with Renoir, I can say that a huge effort was made to, as the LA Times review states, overturn the conventional wisdom. that late Renoir was bad art.

Here's the contested rap on Pierre-Auguste Renoir: Following success at the first Impressionist exhibition in 1874, when he was 33, plus another decade's worth of heady achievement, his paintings went steadily downhill. After his death in 1919, conventional wisdom began to solidify: Late Renoir is bad Renoir.

After seeing this show my opinion remains conventional, Renoir's late works were pretty bad except perhaps for the influence that they had on other artists such as Bonnard and Maillol.

Bathing Girl by Renoir

Don't get me wrong, I loved the early work by Renoir, all lightness and froth and luminosity, but the late work of fleshy females and wanna be Titianesque classicism I found to be trite. Furthermore, I particularly disliked the way that Renoir, who had earlier created portraiture with specific character definition in the faces of his subjects, reverted to a style where the faces of many of his females were undefined and childlike and totally without individualization.

Where others might have looked at the expressions on the faces of the females and found them contemplative or perhaps seen a intimate glimpse of girls caught in their own dream world, I found the expressions to be unaware to the point of being catatonic.

So for me the late Renoir paintings just became a bevy of interchangeable buxom, big bottomed, babes...in pretty soft pastel colors....kind of like soft core porn early 20th Century style...talk about the objectification of women!

The Serenade by Renoir

Much more exciting to see was American Stories: Paintings of Everyday Life 1765-1915 featuring works from Peele, Copley, Sargent, Chase, Homer, Eakins, Cassatt and many more. The exhibit featured a small but astounding group of American masterpieces, including five great paintings by Homer, which the LA Times review describes as almost worth the cost of the ticket alone.

But I was particularly impressed with this portrait.

Portrait of Paul Revere by John Singleton Copley

From the Times review an excellent description:

A few portraits also make an appearance. They include Copley's classic 1768 depiction of Paul Revere, silversmith and Revolutionary War hero, in shirtsleeves. His chin is contemplatively held in his right hand, a handsomely crafted silver teapot cradled in his left.

The teapot of course nods toward the critical role of tea in the New World's economy. A year before, Britain's Parliament fiddled with the tea tax; results were devastating for colonists. (Witness Revere's grim, shadowed face.) The subsequent Boston Tea Party was an insurrection against a corporate stranglehold on trade, held by the British East India Company working with George III. Copley's brilliant image fuses head and hand as tools for thought, labor and moral action. The portrait describes a person, but it places him in the context of an epic story.

The painting -- as sleek and elegantly crafted as Revere's light-reflective silver -- puts artists in that developing story too. Copley is as much an agent of thought, labor and action as Revere is, and his work speaks to the present as much as to history.

Boys in a Pasture by Winslow Homer

And then there were the Homers, the famous ones including the carefree Breezing Up and the menacing Gulf Stream. I think that my favorite was Eagle Head, Manchester, Massachusetts (High Tide) which depicted three young women drying their long bathing dresses on the beach after swimming. It was certainly not one of Homer's best, but it had the promise of a story not yet told of the activities of women during the 1870s.

The American Stories show will be at LACMA through May 23rd and I highly recommend that you see it.

Georgian London Through The Art of Paul Sanby

If, like me, you have an interest in 18th and 19th Century history and art, check out the podcast on the Georgian London blog about 18th Century water colorist Paul Sanby at the Royal Academy

Paper Dolls

Don't miss out on stopping by to check out this exhibit. They have tons of artist involved and it is going to be amazing. thanks Indie for the heads up!